Monday, 31 October 2016

[Unicum] REMINDER: Tvrtko-Túl Minden Határon

 

 

Őexcellenciája Dr. Szemerkényi Réka

Magyarország egyesült államokbeli nagykövete 

tisztelettel meghívja Önt egy felejthetetlen Föld körüli utazásra.

 

Tvrtko-Túl Minden Határon"

 

Egy lebilincselően izgalmas este 

 

Vujity Tvrtko, 

Pulitzer-emlékdíjas újságíróval, előadóval. 

 

Egy este, ami felemel, és sokkal erősebbé tesz!

 

Időpont2016. november 5-e szombat, 5PM.

Helyszín: Magyarország washingtoni Nagykövetsége: 2950 Spring of Freedom Street, NW, Washington, D.C., 20008.

Az előadás nyelve magyar.

 

A belépés ingyenes, ám ha megteheti, kérjük, támogassa akorábban földrengés most pedig a Matthew hurrikán sújtotta térségben üzemelő Haiti - Magyar Iskola és Árvaház gyermekeit, akik számára a segítség tiszta ivóvizet, élelmet és magát az életet jelenti.

 

Kérjük, hogy a várható nagy érdeklődés miatt részvételi szándékát jelezze a RSVP.HaitiOrphanage@mfa.gov.hu emailcímen vagy a (202)-362-6730/201-es telefonszámon.

 

Együttműködő partnereink:

 



Read More :- "[Unicum] REMINDER: Tvrtko-Túl Minden Határon"

Sunday, 30 October 2016

[Unicum] INVITATION: The Ferenc Németh New Trio Honoring 1956

The Embassy of Hungary

presents

the world premier of the

 

Ferenc Németh New Trio (feat. Eldar Djangirov and Pete Rende on piano/keyboards)

 

Honoring the 60th Anniversary of the 1956 Hungarian Revolution and Freedom Fight

 

Venue: 2950 Spring of Freedom Street, NW, Washington, D.C. 20008

Date: Friday, November 4, 2016, 7pm

RSVP: RSVP.was@mfa.gov.hu

 

 

„My new project is based on the research I did on Hungarian folk music (getting back to my roots), combined with improvisation and  electronic sounds to make the music more relevant. 

What I created this way is a mix of a modern adaptation of old soulful folk melodies with a great variety of rhythmic content, improvisation and some experimental sounds. 

These are carefully selected songs to which I have emotional connection to. Some of them I've learned as a child, some other ones as an adult but still, they all give me goosebumps, reminding me the comfort of family, love, home....all strong Hungarian values. 

I rewrote the songs but I was respectful to the original melodies. Some of them I used exactly as they were sang, other ones I opened up a little bit and changed the harmonies and rhythms. Of course one can not mention Hungarian folk music without naming Bartók and Kodály. I've studied both of them and have a lot of respect and gratitude towards them. 

The other very interesting part of this music is that I am using a vocal harmonizer. This little electronic tool enables me to use my voice as a synthesizer and create textures that reminds the listener to an accordion, violin or the famous Hungarian instrument, the Tarogato. 

I like to think that today's music is evolving very fast and with the help of the  internet, we have access to listen to anything at any time. That makes today's music global. There is a great variety of cultures and each culture has its own music. We can mix and match whatever we want. But by playing music there's one important responsibility left. To play it authentically and honestly. That's what I am always aiming for and this is my best project so far to represent that. „ Ferenc Németh 

 

The New Ferenc Németh Trio:

Ferenc Németh (drums) is an accomplished and versatile musician who continues to push the boundaries of jazz drumming and composition.  Németh has since the early days of his career, been one of the most sought after drummers both, in his native Hungary as well as in the United States. Coming from a musical family, his unique dynamism and versatility was fostered from a very early age.  An exciting performer and imaginative collaborator, Németh is well regarded for his work with the Lionel Loueke Trio and GilFeMa and has also travelled, performed and collaborated extensively as a bandleader, co-leader, sideman and educator as well as initiating creative projects of his own. From his early days at the Berklee College of Music in Boston and the Thelonius Monk Insitute of Jazz in Los Angeles, Németh has learned from and worked with the world's finest jazz musicians and groups including Herbie Hancock, Wayne Shorter, Terence Blanchard, the Billy Childs Trio, Bob Sheppard, Dave Carpenter, John Clayton, Jimmy Heath, The Henry Mancini Orchestra amongst others. Relocating to New York in 2003, Nemeth's distinctive energy and drive saw his career continuing with many of the same musicians, and also expanding to include the likes of Christian McBride, John Patitucci, Lionel Loueke, John Abercrombie, Dave Samuels, Mark Turner, Hal Crook, David Benoit, Bud Shank, Greg Hopkins, Phil Wilson, Dave Grusin, Eddie Daniels, Eddie Henderson, Ron McClure, Chris Cheek, Aaron Goldberg, Kenny Wheeler, Eli Degibri, Jonathan Kreisberg, John Ellis, Omer Avital, Ilayaraja, the Kenny Werner Coalition and most recently Dhafer Youssef.

 

 

Eldar Djangirov (piano): The New York Times described the New York based pianist and Grammy-nominated artist Eldar Djangirov as "a blend of musical intelligence, organizational savvy, enthusiasm and prowess that was all the more impressive for seeming so casual...  an ebullient impressionist."  Dr. Billy Taylor said, "Eldar Djangirov's playing shows brilliancy, complexity, and discipline...  he's serious about his music, he's thoughtful about what he does."  Jazz Times said, "Maybe he made a pact with Lucifer to be the greatest pianist ever."  Praised as "a genius beyond most young people I've heard" by Dave Brubeck.  Downbeat magazine stated that "his command of his instrument is beyond staggering." When Eldar Djangirov was signed to Sony Masterworks at the age of 17, the young pianist from Kansas City was already well known for his prodigious pyrotechnics and precocious knowledge of the bebop tradition.  Along the way, he's had the good fortune to meet and work with the masters including Dr. Billy Taylor, Michael Brecker, Marian McPartland, Dave Brubeck, Wynton Marsalis, Joshua Redman, Chris Potter, Nicholas Payton, Harvey Mason, Chris Botti, Joe Locke, Ron Carter, Pat Martino, Roy Hargrove and many others.  Through these opportunities and other wonderful musical experiences, Eldar continues to explore new frontiers through composing and performing, enabling him to ultimately to realize his own musical vision.

 

Pete Rende (keyboards): Acclaimed Pianist Pete Rende has lived and worked out of New York since 1998 as a highly respected band leader and sideman. He has toured, recorded and played with groups lead by Kurt Rosenwinkle, Chris Cheek, Bill McHenry, Dave Douglas, Aaron Parks, Mark Turner, Guillermo Klein, Sabina Scuibba, Thomas Morgan, Ted Poor, Jeff Ballard, Marlon Browden, Ben Monder, Alan Hampton, Christina Courtin and Lage Lund. Praise for his music includes the New York Times, who stated Rende has "a gift for establishing mood and atmosphere".  As a member of the group Plainville, Timeout wrote "…[Rende's] work in the folk-jazz combo Plainville has made us swoon in recent years". Rende sharpened his teeth after graduating from the Berklee College of Music as a sideman for the likes of Chris Cheek and Bill McHenry, as well as Singer/Songwriters Rebecca Martin, Chiara Civello and Jen Chapin. As a Producer, Mix and Recording engineer, he has worked with some of the top artists on todays jazz scene, including the Bad Plus, Joshua Redman, Ethan Iverson, Jeff Ballard, Rebecca Martin, Bill McHenry, Reid Anderson, John Ellis, Alan Hampton and Josh Mease to name a few.

 



Read More :- "[Unicum] INVITATION: The Ferenc Németh New Trio Honoring 1956"

[Unicum] INVITATION: The Ferenc Németh New Trio Honoring 1956

The Embassy of Hungary

presents

the world premier of the

 

Ferenc Németh New Trio (feat. Eldar Djangirov and Pete Rende on piano/keyboards)

 

Honoring the 60th Anniversary of the 1956 Hungarian Revolution and Freedom Fight

 

Venue: 2950 Spring of Freedom Street, NW, Washington, D.C. 20008

Date: Friday, November 4, 2016

RSVP: RSVP.was@mfa.gov.hu

 

 

„My new project is based on the research I did on Hungarian folk music (getting back to my roots), combined with improvisation and  electronic sounds to make the music more relevant. 

What I created this way is a mix of a modern adaptation of old soulful folk melodies with a great variety of rhythmic content, improvisation and some experimental sounds. 

These are carefully selected songs to which I have emotional connection to. Some of them I've learned as a child, some other ones as an adult but still, they all give me goosebumps, reminding me the comfort of family, love, home....all strong Hungarian values. 

I rewrote the songs but I was respectful to the original melodies. Some of them I used exactly as they were sang, other ones I opened up a little bit and changed the harmonies and rhythms. Of course one can not mention Hungarian folk music without naming Bartók and Kodály. I've studied both of them and have a lot of respect and gratitude towards them. 

The other very interesting part of this music is that I am using a vocal harmonizer. This little electronic tool enables me to use my voice as a synthesizer and create textures that reminds the listener to an accordion, violin or the famous Hungarian instrument, the Tarogato. 

I like to think that today's music is evolving very fast and with the help of the  internet, we have access to listen to anything at any time. That makes today's music global. There is a great variety of cultures and each culture has its own music. We can mix and match whatever we want. But by playing music there's one important responsibility left. To play it authentically and honestly. That's what I am always aiming for and this is my best project so far to represent that. „ Ferenc Németh 

 

The New Ferenc Németh Trio:

Ferenc Németh (drums) is an accomplished and versatile musician who continues to push the boundaries of jazz drumming and composition.  Németh has since the early days of his career, been one of the most sought after drummers both, in his native Hungary as well as in the United States. Coming from a musical family, his unique dynamism and versatility was fostered from a very early age.  An exciting performer and imaginative collaborator, Németh is well regarded for his work with the Lionel Loueke Trio and GilFeMa and has also travelled, performed and collaborated extensively as a bandleader, co-leader, sideman and educator as well as initiating creative projects of his own. From his early days at the Berklee College of Music in Boston and the Thelonius Monk Insitute of Jazz in Los Angeles, Németh has learned from and worked with the world's finest jazz musicians and groups including Herbie Hancock, Wayne Shorter, Terence Blanchard, the Billy Childs Trio, Bob Sheppard, Dave Carpenter, John Clayton, Jimmy Heath, The Henry Mancini Orchestra amongst others. Relocating to New York in 2003, Nemeth's distinctive energy and drive saw his career continuing with many of the same musicians, and also expanding to include the likes of Christian McBride, John Patitucci, Lionel Loueke, John Abercrombie, Dave Samuels, Mark Turner, Hal Crook, David Benoit, Bud Shank, Greg Hopkins, Phil Wilson, Dave Grusin, Eddie Daniels, Eddie Henderson, Ron McClure, Chris Cheek, Aaron Goldberg, Kenny Wheeler, Eli Degibri, Jonathan Kreisberg, John Ellis, Omer Avital, Ilayaraja, the Kenny Werner Coalition and most recently Dhafer Youssef.

 

 

Eldar Djangirov (piano): The New York Times described the New York based pianist and Grammy-nominated artist Eldar Djangirov as "a blend of musical intelligence, organizational savvy, enthusiasm and prowess that was all the more impressive for seeming so casual...  an ebullient impressionist."  Dr. Billy Taylor said, "Eldar Djangirov's playing shows brilliancy, complexity, and discipline...  he's serious about his music, he's thoughtful about what he does."  Jazz Times said, "Maybe he made a pact with Lucifer to be the greatest pianist ever."  Praised as "a genius beyond most young people I've heard" by Dave Brubeck.  Downbeat magazine stated that "his command of his instrument is beyond staggering." When Eldar Djangirov was signed to Sony Masterworks at the age of 17, the young pianist from Kansas City was already well known for his prodigious pyrotechnics and precocious knowledge of the bebop tradition.  Along the way, he's had the good fortune to meet and work with the masters including Dr. Billy Taylor, Michael Brecker, Marian McPartland, Dave Brubeck, Wynton Marsalis, Joshua Redman, Chris Potter, Nicholas Payton, Harvey Mason, Chris Botti, Joe Locke, Ron Carter, Pat Martino, Roy Hargrove and many others.  Through these opportunities and other wonderful musical experiences, Eldar continues to explore new frontiers through composing and performing, enabling him to ultimately to realize his own musical vision.

 

Pete Rende (keyboards): Acclaimed Pianist Pete Rende has lived and worked out of New York since 1998 as a highly respected band leader and sideman. He has toured, recorded and played with groups lead by Kurt Rosenwinkle, Chris Cheek, Bill McHenry, Dave Douglas, Aaron Parks, Mark Turner, Guillermo Klein, Sabina Scuibba, Thomas Morgan, Ted Poor, Jeff Ballard, Marlon Browden, Ben Monder, Alan Hampton, Christina Courtin and Lage Lund. Praise for his music includes the New York Times, who stated Rende has "a gift for establishing mood and atmosphere".  As a member of the group Plainville, Timeout wrote "…[Rende's] work in the folk-jazz combo Plainville has made us swoon in recent years". Rende sharpened his teeth after graduating from the Berklee College of Music as a sideman for the likes of Chris Cheek and Bill McHenry, as well as Singer/Songwriters Rebecca Martin, Chiara Civello and Jen Chapin. As a Producer, Mix and Recording engineer, he has worked with some of the top artists on todays jazz scene, including the Bad Plus, Joshua Redman, Ethan Iverson, Jeff Ballard, Rebecca Martin, Bill McHenry, Reid Anderson, John Ellis, Alan Hampton and Josh Mease to name a few.

 


Read More :- "[Unicum] INVITATION: The Ferenc Németh New Trio Honoring 1956"

Friday, 28 October 2016

[Unicum] INVITATION: 1956-2016: A Festive Comedy

 

 

The Embassy of Hungary

 

in cooperation with the

 

American Hungarian Heritage House

 

presents

 

1956-2016: A Festive Comedy

 

 

Venue:   Reinsch Auditorium, Marymount University, 2807 N Glebe Rd, Arlington, VA 22207

 

Date: Thursday, November 3, 2016 7pm

 

RSVP: RSVP.was@mfa.gov.hu

 

 

Conceived and produced on the occasion of the 60th anniversary of the events of 1956, this Gesamtkunstwerk production evokes the atmosphere of the days of the revolution. In addition to Hungary, the anti-communist revolutions and uprisings of the region are also represented, highlighting the common pool of experiences that have shaped Central Europe. The creators seek to explore the possibilities of a dialogue between the present and such events of history which no longer have a relevance for current politics but which have not yet receded into the mist of memory — with the participation of artists for whom  the period of Soviet rule is already “history”.

 

Dancing amidst the stage installation, Erzsébet Vojnich’s paintings created for this piece specifically, featuring an extract from Heiner Müller’s Hamletmachine and excerpts from texts by Péter Nádas and Tibor Hajas, meandering along the border between theatre and performance art, this piece and its characters cross multiple iron curtains between blocs of countries, past and present, as well as genres in the arts.

 

 

 

Contributing Artists

 

Viktória Vizin

http://www.viktoriavizin.com/

Viktoria Vizin is an internationally acclaimed mezzo-soprano whose has performed, inter alia, at the Metropolitan Opera, the Hungarian State Opera House and the Royal Opera House Covent Garden. She has attracted widespread attention through her interpretation of Carmen, and has gone on to create a broad artistic portfolio by involvements in multiple other genres.

 

Accord Quartet

http://www.accq.hu/

Accord Quartet was formed in 2001 by four students of the Franz Liszt Academy, Budapest. They went on to win several national and international prizes, including as the 1st prize of the Brahms Competition and the Junior Prima Prize. Since 2012, the members of Accord Quartet have been teaching at the college level and giving master classes in Hungary, Japan and the US.

 

Anita Barabás

A student of biology, Anita Barabás turned to dance while studying at the Eötvös University of Budapest. Between 2004 and 2011 she was a dancer in the Dance Dimensions - Modern Dance Company in Budapest. Since 2011 she has taught dance and ballet for kids aged between 3-18. Currently she is a member of the MU Terminal Contemporary Dance Company.

 

 

Eszter Bánfalvi

http://www.wssz.hu/tartalom/cikk/banfalvi-eszter

Eszter Bánfalvi studied in Budapest, Hungary and in Kansas in the United States. Between 1999 and 2001 she worked at the New Theatre in Budapest. She graduated from the University of Theatre and Film Arts in Budapest. She subsequently joined the ensemble of the Hungarian National Theatre under the leadership of Róbert Alföldi. After the management change at the National  Theater, she became a freelance artist. Since 2014 she has been working with the troupe of the Weöres Sándor Theatre in Szombathely, Hungary.

 

Kelemen Barna Bányai

 http://www.wssz.hu/tartalom/cikk/banyai-kelemen-barna-

Kelemen Barna Bányai attended high school and subsequently graduated from the University of Theatre and Film Arts in Targu Mures, Romania. Between 2006 and 2015 he worked at the the National Theater in Targu Mures. In 2015 he relocated to Hungary and joined the Weöres Sándor Theatre in Szombathely, Hungary.

 

Tamás Rétfalvi

Tamás Rétfalvi studied with Gábor Máté, a legendary instructor at the University of Theater and Film Arts in Budapest, where he graduated in 2012. Since then he has been a member of the Radnóti Theatre in Budapest. In 2014, he was awarded the Junior Prima price of Hungary.

 

Gáspár Téri

During his high school years he was studying event planning and programming. For a short time he was working as a graphic designer. He studied visual communication and design at The University of Applied Arts in Budapest. He started dancing under the influence of Rita Deák Varga, director of choreographing. He works together with several dance and theater companies in Hungary.

 

Péter Zombola (Music)

http://www.peterzombola.com/

Péter Zombola is a Hungarian composer. Several works by him have been premiered at foreign and Hungarian music festivals. He composes film and incidental music, as well. He was a doctoral student of musical composition at the Liszt Academy of Music between 2006 and 2009, where he received his DLA in 2010. He teaches at the Faculty of Voice Performance and Music at the University of Theater and Film Arts and at Eszterházy Károly University while working as the artistic coordinator for the Symphonic Orchestra of the Hungarian Public Radio (MR).

 

Pályi András (Dramaturgy)

András Pályi is a writer and translator. He has also worked as a dramaturg and journalist. His achievements have been recognized with multiple domestic and international awards. He earned high reputation in Hungary also as the translator of Witold Gombrowicz and Adam Michnik. A former president of the Hungarian Association of  Fiction Writers, he has published fiction himself, but as well as essays and other prose works.

 

Erzsébet Vojnich (Visual Art)

http://vojnich.hu/

Erzsébet Vojnich was born in 1953 in Budapest. She attended vocational secondary school for arts and crafts and went on to study at the Academy of Fine Arts in Budapest. She was a member of the legendary collective Studio of Young Artists who left their mark on the subversive neo-avantgarde of the late socialist period. She is the recipient of numerous prize, including the Derkovits scholarship, the highest honor for young artists at the time, the Munkácsy Prize and the Prima Primissima Award. An artist with noted collectors, she has been the participant of important group shows abroad and in Hungary

.

Dániel Dömölky (Photography)

Dániel Dömölky is a photographer, visual artist who graduated in 2009 from the Moholy-Nagy University of Art’s Architecture Department. Currently Dömölky is working as freelance photographer in the field of theater, dance, art documentary, commercial, architecture and conceptual photography.

 

Krisztián Gergye (Director, Choreographer)

Krisztián Gergye is a director, choreographer, dancer and actor. Since 2001 he has created performances, first as one-off projects, later with regular co-creators and finally with his own Company. He frequently includes  contemporary opera singers  in his pieces and also contributes as dancer to concerts, contemporary dance operas, drama and opera pieces. His work is distinguished by its focus on the spiritual as expressed in movement. He has guest performed with most of the first tier Hungarian dance ensembles while winning several prizes both for his creative work and as a performer. As a choreographer, he was twice nominated the Rudolf Lábán Prize, while in 2008 he was named the Year’s Best Choreographer by the Association of Hungarian Dance Artists. He has been a dancer with the ensemble of the National Theater and for French-Hungarian star choreographer Pál Frenák.

 

 

 

 

 

Dávid Singer

cultural attaché

 

Embassy of Hungary

3910 Shoemaker Street NW

20008 Washington DC

Cell: (202)460-3411

Tel: (202) 686-4144

washington.gov.hu

 

 

 

 

 

Read More :- "[Unicum] INVITATION: 1956-2016: A Festive Comedy"

Wednesday, 26 October 2016

[Unicum] INVITATION 11/2, 7pm: Torn From the Flag

Dell - Internal Use - Confidential

INVITATION – “TORN FROM THE FLAG”
November 2, 2016 – 7 pm FREE Admission
Followed by Q&A with the CINE and AFI Award-Winning Director, Klaudia Kovács
Hungarian Embassy
2950 Spring of Freedom Street, NW
Washington, DC 20008

AHF is proud to be a sponsor of a screening of “Torn from the Flag,” a documentary film about the significant international consequences and participants of the Hungarian Revolution of 1956. Klaudia Kovacs’ multi-award-winning sociopolitical historical documentary was the last film of legendary cinematographer László Kovács.

Torn from the Flag is presented as part of the program of events in honor of the 60th anniversary of the 1956 Hungarian Revolution and Freedom Fight at the Hungarian Embassy in Washington, DC.

The film encompasses the tense Cold War era (1945–1991) and presents the rivalry of the superpowers during that time. It shows the 1956 Hungarian Revolution as the first catalyst for the future decline of the communist system, and as a remarkable turning point for the advancement of democracy. The film’s Hungarian title is “A lyukas zászló.”

Torn from the Flag was made primarily for international theatrical release and television distribution, and participated in the 2009 Oscar competition in the ”Best Documentary” category.

The film’s world premiere was in Hollywood, in the American Film Institute’s film festival, AFI Fest. It was screened in the festival’s "Milestones" section—described as "celebrating the best of the best"—along with films by Ingmar Bergman and Michelangelo Antonioni. Tickets for the premiere sold out in 45 minutes, and the film received a standing ovation. To date, the film has been invited to participate in 17 festivals, and is the recipient of 8 awards/recognitions.

A wide-ranging social movement has developed around this film that took filmmaker Klaudia Kovacs 9 years to make. Nearly 2000 individuals and families as well as the majority of Hungarian communities, foundations and churches in North America supported the production.

In addition to other interviewees, the following political notables appear in person or in archive footage:

  • Mikhail Gorbachev
  • Ronald Reagan
  • Henry Kissinger
  • Otto von Habsburg
  • Árpád Göncz
  • Imre Pozsgay
  • János Berecz
  • Gyula Horn
  • George Vassiliou

Critical Acclaim:

"A documentary thriller. Superb." — Chuck Wilson, LA Weekly

"A definitive account. The most comprehensive chronicle of the Hungarian uprising yet caught on film. The film never bogs down. A lively piece of history, put together with a good deal of technical skill as well as unmistakable passion." — Stephen Farber, The Hollywood Reporter

"This was the most powerful and important film experience of my life. Klaudia Kovacs' work in tracking down all those marvelous witnesses and selecting the most illuminating and combustible quotes was unprecedented in documentary film-making." — Barry Farber, Talk Radio Network

"Easily the best documentary film on the 1956 Hungarian revolution." — István Deák, Seth Low Professor Emeritus of History, Columbia University

"A quality production satisfying the highest expectations and demands. It chains you to your seat and helps us understand what freedom truly means." — Leslie Eloed, American Hungarian Journal

"Recognition for cinematographers in general is long overdue. When it comes to Laszlo Kovacs and Vilmos Zsigmond, it's clear that the American New Wave of the late 1960s and early '70s wouldn't have flowered as it did without them." — Leonard Maltin

 

READ MORE http://www.americanhungarianfederation.org/news_tornfromtheflag.htm

 

 

Read More :- "[Unicum] INVITATION 11/2, 7pm: Torn From the Flag"